Sappy Endings

Once again, I have disappeared from my blog for an extended period of time. Since the last time I wrote, I have completed my MFA program and will walk in graduation at the end of the month. My final residency was at the beginning of June. It was so much fun, but also a little bittersweet. Here's the quick wrap-up of the culmination of two insanely busy and wonderful years.

On the first day of the residency (for the 5th semester students, everyone else had been there for several days already), I gave my reading. I wasn't really nervous about it, but still, it's never easy to follow the super-talented poet, Philip Belcher. Mostly, it was just a fun time, though. I got to share a selection from my thesis and listen to two of my ridiculously talented classmates read from theirs. Steve and Lucy Addison came, though Lucy Addison spent the reading hanging out in the lobby with Rick, the program director/founder.

After the student readings and dinner, I stayed for the faculty reading - Susan Tekulve and Robert Olmstead - both of whom were wonderful. Despite my determination to leave as soon as the reading was over, I ended up staying and chatting until much later than I should. As I drove home, the unsettling feeling that I had been trying to shake all day completely took over. The first student craft lectures (ever) were in the morning, and I was up first. Though I had been working on my craft lecture for ages, I still felt unprepared and unhappy with my lecture. I decided to rewrite/restructure my lecture no matter how long it took. (My lecture was scheduled for 9 in the morning!)

Sometime after 2 am, I declared my craft lecture done, and I felt about fifty pounds lighter. I may not have slept long, but at least it was untroubled sleep. I won't say I was nervous as I got up to give my lecture, but it was a weird feeling being first. Sure, there are fewer expectations if you're first, but still, if you're spectacularly bad and first, people are probably going to remember that.

Overall, I was pleased with how my lecture turned out. Certainly there were things that I wished I had said better or points I wish I had made (as soon as I sat down, they all flooded my brain.) But it could have been worse. I even held my own against a particularly persistent questioner, and at one point, one of my previous faculty mentors came to my rescue. The best part of going first, however, was that I then got to just sit back and enjoy the rest of the residency. I was done. I floated from event to event.

The remaining time was a blur of readings, lectures, and spending time with friends. The final night, we had a dinner to celebrate graduation followed by a party with the band, The Wheresville Project. There was much dancing (though not by me - I spared them that.) It was all fun and sad at the same time. There is something about the low-residency program that fosters relationships that are far closer than would be expected from such a short amount of time together. Maybe it's due to the intensity of the 9-day residencies. Whatever the cause of the closeness, it was sad to think that we won't be seeing each other anymore.

Since the end of the residency, my life has been a crazy blur. I've barely had time to process the end of six consecutive years of school. It all still seems a little unreal. Vacation Bible School began almost immediately after the residency and was followed closely by our annual pilgrimage to visit family in Maryland. Upon returning home, I received a package in the mail - my bound copy of my thesis. I didn't expect to be so excited to see my thesis bound, but there was something powerful about holding that book. I can't explain it, so I won't try.

Now begins the really hard part: keeping up with the writing life after school. It's easier to write regularly when you have deadlines that you have to meet. There are no deadlines anymore. Wait a minute. That's not true. My faculty mentor, Leslie Pietrzyk, has said that she expects me to finish my novel this year. So, I guess that's my deadline. Better get writing.

Less Tunnel, More Light

YIKES!!! I'm halfway through March, and I just realized I haven't posted since January. If it was my New Year's resolution to return to my faithful blogging habits (I can't remember if it was), then I totally blew it. I could defend myself a long list of distractions, but they're excuses. I'm sure I waste enough time every day that could be spent doing a little blogging.

I'm fingertip-nearly-touching close to completing my MFA. My FINAL, COMPLETE thesis is due the end of April, and I'm plugging away at revisions. On Facebook, I kept a detailed log of how many pages of revised thesis I'd completed during my most recent revisions. Imagine everyone's disappointment when they realized I would be revising my thesis yet again, and they would have to endure yet another countdown.

Actually, in addition to my completed thesis, I also need to have my craft lecture written and ready to go, my graduation forms filled out and submitted, all my reading completed, and some research done on a separate project that will for now remain nameless. Add to that, a new puppy, a now mobile toddler, and upcoming VBS dramas to plan, and I'm starting to sweat it just a little bit. Unfortunately, I'm going through that I-have-way-too-much-to-do paralysis that occasionally afflicts me. I haven't been using my little bit of downtime very wisely, and that's so unlike me, and it's driving me crazy. Here's hoping the adrenaline and characteristic Sarah-style organization kicks in soon.

Blogging is not the only thing I've been neglecting, however. My DVR is jam-packed with unwatched programs. I'm woefully behind on my New Yorker issues, and I'm just barely keeping my head above water with the housework. Must focus. Must prioritize.

Lest you start feeling too sorry for poor, put-upon Sarah. Please note that I've brought every single one of these things down on myself, and if I'd just get my act together, I would be able to plow through them without too much stress. Also there has been some fun interjected between the craziness.

Last week was the Holland Park Church ladies' retreat at Bonclarken, in Flat Rock, NC. The weekend was too wonderful to try to squeeze into a puny blog description. Suffice it to say that I got a desperately needed injection of fellowship, encouragement, and love. Have I mentioned how much I love, respect, and admire the amazing women at HPC? Plus, I got to eat an unhealthy amount of homemade desserts.

Also, we are now the proud (if somewhat harried) owners of a Komondor puppy. Sam is 14 weeks old and is a 35.5 pound bundle of energy and teeth. I can't wait to take him downtown and to the park this weekend for the very first time. It's going to be crazy, chaotic fun.

Enough with the catching up, I'd better get to bed, so I don't have yet another excuse for not getting things done (not enough sleep.) Maybe my next blog entry will be the zen musings of an MFA graduate.

Catching Up Is Hard To Do

So it's time for a monster mega catch up blog. This marks the first residency (January 2011) that I didn't dedicate at least one entry to all the great things that happened there. Of course, that is not a reflection on the quality of the residency. There were so many wonderful readings and lectures and so much fun time with friends, but life has just been a little crazy since then, and it just never happened. So, here's my life in summary since my last blog entry from a date too distant to mention.

Third Semester of my MFA? Check! I have completed my critical paper ("The Voice in the Walls: The Femininity of Alternative Narrative Structure in the Work of Lorrie Moore", and no the title's NOT longer than the paper.) I have also cranked out more than 100 pages toward my thesis. Yes, there was much panicking, crying, and more than a few late nights, but I am three quarters of the way through my Masters!

The first Christmas with The Queen of Everything was everything I'd hoped (and a little more.) There was present unwrapping and macaroni and cheese eating and lots of pictures and video. Christmas just got a whole lot more fun with the addition of Lucy Addison, and I can only imagine how big of a blast we'll have next year.

Residency #4? Survived. Yes, I have completed my final full-length residency. I can hardly believe it myself, and I was there. There are so many wonderful things I could say about this residency, but I'll limit myself to these. Workshop gets better every semester as the program adds more and more talented students, and I learn so much from my fellow students. It's always encouraging and humbling to see how talented your classmates are. Also I found out I get to work with the always amazing, Leslie Pietrzyk, for my final semester, and I am so excited. I know I'm good hands as I revise and rethink my thesis.

January Madness and the 1st birthday. Despite my hopes to the contrary, things have not exactly slowed down since the holidays and residency ended. My life has been a series of appointments, visiting relatives, party planning, and a blizzard (well, by Southern terms, anyway.) The Queen's first birthday was a smashing success, with a houseful of 30+ people wedged into our 1700 sq ft house, and I'm still managing to squeeze my writing and reading into my schedule (somewhere.)

Now that you're dizzied by my seriously abbreviated version of the last two months, I'll share some words of wisdom...okay, just words. I've learned a few things about myself over the past few months. They are as follows:

1. One year olds are far more fun and entertaining than little babies. They also serve as greater distractions from things like schoolwork.

2. After months of research for my critical paper, I've discovered that I LOVE reading articles on literary criticism (and feminist criticism, in particular.) I just can't get enough of it .

3. I'm always going to dress like a school librarian, so I need to give up wishing I could look like my friends who've mastered Bohemian chic. I got rid of masses of clothing and purchased quite a few new things. Here's a surprise, they look like my old stuff, just newer.

Okay, so enough with this disjointed mess of a blog entry. You've been officially caught up. Here's keeping our fingers crossed for a more consistent blogging schedule in 2011! Want a sneak peek at future blog topics (tentative)? Well, how about zombie theory, more movie reviews, and a progress update on my thesis? I know right now you're positively panting with excitement, right? Or not.

Moore Work (Pardon My Pun)

The work continues. I have had to give up on the whole writing-during-the day thing for a while. I've always worked better at night, but before the baby got here, I could make myself eek out a little work during the day. Now that Lucy Addison is here and demanding more and more of my daylight hours, I find that whatever daytime concentration I'd been able to muster in the past has now completely disappeared. After two weeks of trying to be the disciplined, dedicated writer who gets up and writes before her child is awake, I've had to resort to writing at night while she is asleep. The downside is that evenings are also the time when Steve is home. Oh well, I suppose we're must suffer for our art, right? And besides, it gives Steve a chance to play Red Dead Redemption, and, after all, we must have priorities. Video game banditos need love, too.

In addition to my creative work (I'm still plugging away on the old novella), I am also trying to finish up the books I'm reading for my critical paper this term. I believe I mentioned this before, but in case you're just tuning in, I am [planning on] writing my critical paper on non-linear narratives in twentieth century lit with female authors, and more specifically, Lorrie Moore. So far I have read, Self-Help, Anagrams, Like Life, Who Will Run the Frog Hospital, and I'm about half-way through Birds of America. After I finish it up, I will only have A Gate at the Stairs left to go.

So far, I am loving her work. Like Life was probably my least favorite thus far (and also the least related to my critical project), but I am IN LOVE with Self-Help and Anagrams. It is almost unfortunate that I am not writing my paper on her use of word play because, quite frankly, her word play is AMAZING! Not only does she do really subtle stuff in the narration, but her characters are very intelligent and witty, and they make hilarious puns and turns of phrase that resonate with so many layers of meaning. Wait a minute. Can layers resonate? So maybe the cold medicine is kicking in a bit...never mind me. Lorrie Moore's words, metaphors, connotations, and references are brilliant. I swear that if I went through her stuff with a flourescent highlighter marking every time she blew me away with her mastery of the English language, the books would glow in the dark.

Besides her word play, an aspect most impressive to me is her use of the second person in Self-Help. She manages to write successful second person stories that are also entertaining and moving - not just exercises in edginess. This is a feat I've rarely seen accomplished so elegantly - though Leslie Pietrzyk's "Ten Things" would also fall in that amazing second person story category.

Of course, all of these aspects, though very intriguing, have little to do with my paper, which is about non-linear narratives. She does do some pretty impressive things with her handling of time in her stories, and I look forward to exploring that in more depth. So thanks to Bob Olmstead for nudging me toward such an amazing writer.

Rambling [Wo]Man

I'm frantically trying to get my writing done for Monday's deadline, so, of course, I'm going to take some time to blog. Actually, I'm a little stuck, and I'm hoping this will shake something loose. Okay, that's kind of a disturbing metaphor, but I digress.

Lately, my days have been one long succession of baby, baby laundry, and feeling guilty/worried about my schoolwork. I can't seem to work for very long periods of times these days (for both practical and unknown reasons), so it's looking like I should have started this one-page-a-day installment plan a little sooner. I just need to get something on the page for this chapter so that I can start editing. The problem is that I keep editing in my head before I put anything down, and then I stall. Plus, I really wasn't planning on writing on one story for the entire semester, but I somehow got convinced that was the thing to do. Apparently, flattery will, in fact, get you everywhere, and telling me that you like my story and want to see more is enough to get me to agree to continue on with little, lost Michelle's adventures. What was I thinking?

So here I sit, knowing that the baby will wake up at any second from her nap and that we both have a cold and I still haven't eaten lunch and the dishes need to be put away and at some point I should probably wash my hair.

Okay, enough with the rant. Every semester I am convinced that this will be the time I don't get everything in by deadline, and every semester it all works out just fine. So I guess that means that this really will be the semester when I'm late and everyone realizes I'm a fraud and the health department really does declare my house unfit and we all run out of clean clothes.....and there she is, awake and ready for a bottle. Break over!

Wibbly Wobbly Time-y Wimey - MFA Summer Residency 2010

I logged onto my blog today to do my MFA Summer Residency entry and discovered that I haven't posted since April. While I knew I'd been laying low in blogland while I finished up my second semester work, I had no idea I'd been so negligent. I really must try to do better...especially since I met several people over the past month or two who actually read my blog....people I'd never met. At this residency, I got to have the completely unnerving experience of meeting someone and having them say, "Oh, I know you. I've read your blog." Talk about inequity. This total stranger knows all kinds of stuff about you, and you know absolutely nothing about them. I got over the weirdness, though, and it was pretty cool to know somebody reads this.

Back to the residency. For all those interested (and even if you're not), I am officially halfway through my Master's. Of course, the biggest chunk of work remains, but if I can get through a semester that included a newborn baby, I can survive anything. This term, in addition to my creative work, I will be completing a 25-page critical paper which will serve as the basis for the craft lecture I'll present at the fifth and final residency. After a lot of thinking and some consulting with my faculty mentor (more about him later), I have narrowed the subject matter of my paper (a bit) to an exploration of time and non-linear narratives in the work of fiction writer Lorrie Moore. I'm really excited about my topic since it's something I've been exploring in my smaller critical papers over the last two semesters.

With each semester, I am assigned a new faculty mentor. The first semester it was the amazing Leslie Pietrzyk, and last semester, I had RT Smith (also amazing.) This term I will be working with Robert Olmstead. In addition to meeting with him regarding our semester plans, he also ran the workshop for our half of the fiction group. Allow me to describe the Bob Olmstead fiction workshop experience...no wait, I can't. The man is, for lack of a better word, intense. His insights and advice were spot on, but you'd be hard pressed to find a more deep discussion of the ethics, morals, and philosphies of the characters, stories, etc. Between the laser precision of his story dissection and the hours-long novella (out loud!) readings we did, we all (Bob included) were wiped out every day at the end of our sessions. I feel like I learned so much that I need a little rest before I can really understand how much I learned. And yes, I realize that sentence doesn't make much sense...except maybe to the three other people from my workshop.

Residency isn't all work, however. We had readings every night, both faculty and student. Of particular note were Leslie's next installment of her novel in progress (hurry up and finish it so we can READ IT!), Dan Wakefield's touching reading of a chapter from his book-in-progress, and fellow student Kate's AMAZING reading the last night of residency. The great and powerful LUCY ADDISON also made her Converse College MFA program debut on the final night. Alas, she didn't give a reading.

The best part of residency is getting to see all my writing friends. As a writer, you are often isolated from others of similar interests, and so when we get together we all talk like mad to get all the literary fellowship stored up until next time. The process of workshop is intensely personal, and a special bond forms between fellow students as we dissect each other's creations, trying to be helpful while treading lightly on each other's feelings.

Now, it's the hard part - buckling down and doing the work....and maybe remembering to do a blog entry or two.

The Ten Commandments of Writing

I just finished reading John Dufresne's The Lie That Tells a Truth, and it has become my new favorite book on craft. It's full of mind-blowingly practical, and yet brilliant, suggestions, rules, and prompts. About a quarter of the way through, I came across his "Ten Commandments of Writing," and I decided I'm going to write them on a card and post them near my writing desk. As an MFA student, I hear these things all the time, but it's helpful to see them gathered together in one place. What are the Ten Commandments of Writing, you ask? They are as follows:

1. Sit Your Ass in the Chair.

2. Thou Shalt Not Bore the Reader.

3. Remember to Keep Holy Your Writing Time.

4. Honor the Lives of Your Characters.

5. Thou Shalt Not Be Obscure.

6. Thou Shalt Show and Not Tell.

7. Thou Shalt Steal. (No, that's not a typo.)

8. Thou Shalt Rewrite and Rewrite again. And again.

9. Thou Shalt Confront the Human Condition.

10.Be Sure That Every Death in a Story Means Something.

The Lie That Tells a Truth, John Dufresne, 2003

Tradition on Toast

The mad rush of Packet #4 continues. I have less than a week and a half to finish my mountain of assignments, but what a payoff - a month and a half of essentially no schoolwork! Just me and Lucy Addison hanging out and watching way too many movies. Of course, this mad dash to finish has cut into my cooking and housecleaning time (and blogging too.) So the dreaded question every night has become: What's for dinner? (Yes, that was a dreaded question before my schoolwork deadlines, but it's worse now, okay?)

So today as I contemplated (briefly) what to prepare for our dinner, my mind flipped past the usual quickie suspects. Leftover spaghetti? Had that Monday night. Tacos? The ground beef is still frozen, and anyway, tacos? Again? Steak and peppers. How many nights have we done that over the past couple of months? Then it hit me. I knew what we were having for dinner. I swear I could almost hear trumpets playing a fanfare as the revelation came to me.

Tonight will be a turning point in our relationship. Tonight, we will go where we have never gone before. Tonight, I will fix Steve Chipped Beef Gravy. Yes, dear reader, my husband has never tasted of that culinary delight so often enjoyed on toast or waffles, that creamy goodness that belies its oh-so-common name. Despite my family history, (I come from a long line of chipped beef gravy enthusiasts) I have never prepared this delicacy for Steve. I don't know why. I have no excuse. As a matter of fact, every time my cousin or aunt mentions chipped beef gravy in their Facebook status (yes, it's happened more than once. What can I say? We like to talk about food.), my mouth waters, and I vow that soon I will make chipped beef gravy for dinner. Alas, until tonight, I have never followed through.

I will not be documenting this occasion with step-by-step photographs as I did with the sugar cookie experiment. There's not really anything dramatic about the process...just a little fried meat, a little flour, a little milk, you get the idea. I do have high hopes for the evening, however. I may have struck out with the whole Slumgoyan thing, but I am determined to make Steve love chipped beef gravy. He doesn't care for waffles, and we're out of bread, so I'm flexible. I plan to serve it over a football sized baked potato. I can compromise. Too bad I didn't eat it while I was pregnant. Maybe then I could have at least guaranteed one future fan to eat my family favorite with me. If not, well, there's always my fried chicken gravy. I swear Steve would eat that poured over an old shoe. As a matter of fact, so would I.

Deadlines - with the operative word being...well, you know

I'm sitting at my desk in my upstairs study, and I feel the panic. Just over a week until I must get my next packet in the mail, and I have two pages of one story written, one book read, another half-read, and no exercies or papers written. So why am I writing this blog entry instead of pounding away on my laptop?

I'm stuck.

It seems that I have been rescued from the clutches of pregnancy brain, only to be delivered into the hands of some sort of postpartum mind mush that has no name. I have my story in my head. I know what I want to do. So why the heck can't I just sit down and do it? Even doing my reading has become a challenge. Of course, it probably doesn't help that the book I'm trying to wade my way through is Faulkner's As I Lay Dying. Seriously, I want to lay down and die (or at least sleep) every time I pick it up. The crazy POV shifts, wildy varying voices, and intermittent sections of stream-of-conciousness are making me crazy...that is, when I can stay awake long enough to read it.

I can't blame this on the baby.

She's a good girl. Most days, she sleeps like a little lamb between her feedings. So what is my problem? Why do I suddenly feel far more drawn to reading Dr. Seuss and Curious George? Why is every word I type on my story dredged up with great pain and deliberation? Why do people watch Lost? (Okay, that question isn't related. Just something I wonder about.)

I've tried the If-I-Get-Myself-Made-Up-In-The-Morning-I'll-Feel-More-Productive method. Didn't work. Today, I didn't even make the effort. I'm wearing a sweatshirt and black yoga pants that are covered in Abby Tabby hair. My hair is pulled back, and makeup is the farthest thing from my mind. I thought that maybe the I'm-Too-Wrapped-Up-In-My-Work-To-Wear-Makeup method might get me inspired. Instead, I'm just the grungy looking chick with only 2 crummy pages to her story, baby clothes that need to be put in the dryer, and raw chicken breasts lying in the sink and serving as a partially frozen reminder of the dinner I need to start.

Delicious Dishing

Tomorrow's the drop-dead mail date for my first 2nd semester packet. I still have so much to do between this afternoon and tomorrow that it's not even funny, but I wanted to take a minute to thank all the amazing people who have made it possible for me to get any schoolwork done while adjusting to life with a baby.

First there was the grandmothers. Sure they had ulterior motives, wanting to get their time in with the new grandbaby, but they were still a trememdous help once Lucy Addison came home. Not only did they do things like laundry and housework, but they were also real grown-ups to talk to during the day!

Then there have been all the lovely people who've called, written, and otherwise sent their best wishes. This can be a challenge for someone who's not particularly good on the phone (I break out in the same sweat as if I were standing there talking to the person), but it was still much appreciated.

The last group has been the most amazing help, however. As I've mentioned in previous blogs, we are consistenly overwhelmed by the kindness of generosity of our church family at Holland Park. So many amazing ladies have been providing us with meals, and let me tell you, we have eaten well. In addition to the generous culinary offerings, these food deliveries give me a welcome adult visitor with whom to converse, and despite my very tongue-in-cheek blog on friends' and visitors' dire warnings, I love these visits!

So now, it's back to work. I've still got papers to write on novels and short stories and a short story to edit. And baby laundry to wash. Maybe this time I'll remember to put the detergent in when I wash it (don't ask.)

Baby and Books Blog Break

As anyone who has been on my Facebook page is acutely aware, Lucy Addison has arrived...six weeks early. After a weeklong stay in the NICU, she is home and ruling from her throne...I mean, crib. Actually, she's a very good baby, and we're so grateful that she's healthy and easy going. Of course, her early arrival has played havoc with all my schoolwork plans (I had 2 deadlines scheduled before her predicted delivery date.) So, after a quick shuffle (thanks to my understanding professor), I have a new schedule and a new looming deadline. It's back to work now, baby or not. This means that my blogging will suffer for a while as it takes a backseat to my mounting pile of writing, reading, and laundry. Never fear, however, I will return...possibly a little sleep deprived and incoherent, but won't that be entertaining?

You Might Be A Writer If...

I've written before on the human need for identification with a specific group. Nerds love to be associated with their own kind, Jeff Foxworthy has made millions uniting rednecks, and we've all watched VH1's I Love the [insert decade] while nodding our heads and saying, "Yes, I remember the Monchhichi!" Well, writers have their own funny little ways, too, and after a week and a half of hanging out with my own kind, I have compiled a short list of "You know you're talking to a bunch of writers when..." (Jeff Foxworthy, eat your heart out.)

1. You correct someone's grammar, spelling, punctuation, etc., and they don't get mad.

If a writer is reading this blog entry, right now they are probably saying to themselves, "She really should have used angry since mad technically means crazy, and you know what? I'm okay with that. Nothing like a bunch of writers to keep you honest, at least from a language perspective.

2. You sit around discussing the finer points of your personal language/writing pet peeves.

Mine include people who say, "I could care less" instead of "I couldn't care less" and people who misuse the word "nauseous" (which includes almost everyone these days.) Nauseous means causing nausea, as in "these gas fumes are nauseous." It does not mean "to feel nausea." So when someone says, "I feel nauseous," I can only agree. Their abuse of the King's English is making me queasy.

On the final night of residency, several members of the fiction group (including some faculty) sat around a lovely dinner at Spartanburg's Inn on Main discussing their own language obsessions. One woman was on a personal vendetta against the use of "alright" in writing since technically it should be written as two words, all right. Another woman crawls out of her skin whenever someone says the non-word, irregardless. (I have to say, I'm right there with her on that one.) The best part of the evening? No one thought we were being nit-picky language snobs. Everyone at the table "got it." No judgements were made...except of those violating our grammatical code of conduct.

3. You make stupid writing puns, and everyone thinks they're hilarious.

There's always the classic, "Avoid cliches like the plague." (Yes, Martha, it's funny every time you say it.) Then there's the one I made up the other day, "She abuses adverbs horribly." (The best part? Steve, my non-writer husband, thought that one was amusing.) Basically, any play on words gets us chuckling. What can I say? We love the language.

4. You begin every shared anecdote with the phrase, "Okay, I'm going to tell you something, but you can't use this."

Writers are fiercely protective of their ideas for future work, and rightfully so. Writing is hard work, and you just can't make some things up. Cow-milking Dalmatians and possessed bedside lamps are like gold in the writing world, and a writer must store up these little gems like a squirrel storing nuts for winter. You never know when an idea draught is coming. And no, you can't steal either the lamp or the Dalmatian. They're all mine.

This list is, of course, not exhaustive. There are as many writerly tics as there are writers, and it is wonderful to be with a group of people who understand the shorthand that all us writing nerds speak. So if you're ever at a cocktail party and you walk into a small group scoffing at some author's multiple point of view shifts or debating the use of the frame story, you'll know you're in the company of writers. (And that you better watch what you say since they'll certainly be judging you by it.) You probably don't have much to worry about, though. We don't get invited to too many parties.

***Due to time constraints, there are probably typos in this blog. Feel free to alert the author to any mistakes you find, but beware: she is a writer, so be sure you know what you're talking about!

"When I Get A Little Money I Buy Books" Erasmus - Winter Residency Part II

Perhaps I should begin this the second installment on my winter residency with an explanation of the low-residency program. I had no idea when I entered this program how many times I would have to explain it to people. Sometimes the listener looks at me like I'm making it up. So allow me to assure you that these low-residency programs exist across the country and that we actually have several nearby (Queens College and Warren Wilson, both in NC.) The purpose of the low-residency program is to offer an MFA degree to the student who is unable to relocate to a city whose university or college offers a residential MFA program. It also allows the student to continue to hold down a real job. This is accomplished through two 10-day residencies that are held on campus, followed by a semester-long study and writing plan coordinated with a faculty mentor. Packets of the student's work are sent in to the faculty mentor throughout the semester. The workload is fairly extensive, but the student is free to schedule their semester work around their lives. Acceptance into these programs is based on the quality of the manuscript submitted. Because many potential MFAers are grown-ups with jobs and families, the low-residency program is increasing in popularity.

With that bit of housekeeping out of the way, I feel more free to share the rest of my week with you, the well-informed reader. As you can imagine, winter residency (and summer, too, for that matter) is an intense week of workshops, lectures, and writing with little time for sleeping or resting. As I mentioned in my previous blog entry, however, our benevolent leader did schedule a bit of a break for us on Wednesday that was much appreciated (especially by the 8 months pregnant lady with puffy feet!) Wednesday night I did return to school for a screening of the film, New York in the 50's, a documentary based on Dan Wakefield's book by the same name. Though the film did have the misfortune of being shown in the scorchingly overheated Hartness Auditorium, it managed to rise above the steamy circumstances to entertain and charm. The only downside was that Mr. Wakefield was ill and unable to be at the screening. So we're all saving our questions for the summer residency when we hope to see him again.

Thursday, Friday, Saturday, and Sunday went by in a haze of workshops, lectures, and vain attempts to find a comfortable chair and a place to prop up my feet. There were a few standouts, however. R.T. Smith's (yes, he's my mentor!) lecture on place in short fiction was amazing. Who else could read their lecture and still be so interesting and enlightening? Plus, he brought his Edgar Allen Poe action figure! Albert Goldbarth also made a last minute appearance in both a reading and lecture. On Thursday night he read with the always brilliant (and funny) Susan Tekulve, who read an essay on Scottish food and beverage. I also picked up a copy of her new book, Savage Pilgrims, which I can't wait to read. Albert Goldbarth's reading and lecture were both mind-blowing (and as always, entertaining.) My only regret was that the reading had to be held in Cleveland Hall, which managed to be both cold and uncomfortable. At least I got to sit next to the charming Peter Meinke and his wife during the reading. I can't remember the last time I met two kinder or more friendly people. (He's an amazing poet, too.) I can't wait to go to his reading at Converse at the end of the month (January 26.)

So, now it's all over. It's just me and my computer and a UPS guy loaded down with a massive book order. I have two deadlines before the baby gets here (let's hope she's not an early bird, which doesn't seem too likely considering her parents), not to mention the deadlines and work I'll have to do after she gets here. Here's hoping the muse does not forsake me. I've certainly been given more than enough practical advice and inspiring speeches to carry me through. I guess, now, it's up to me.

For those interested, here is a list of the books I purchased during Winter Residency and also my Reading List for the semester. Feel free to read along with any of these and let me know what you think!

Books I purchased:
Savage Pilgrims, Susan Tekulve (fiction)
Uke Rivers Delivers and The Calaboose Epistles, RT Smith (fiction)
To Be Read in 500 Years, Albert Goldbarth (poetry)

Winter 2010 Reading List:
Fiction 100 (anthology)
Lie That Tells The Truth, John Dufresne (craft book)
On Writing, Eudora Welty (craft book) *
Naming The World, Bret Anthony Johnston (craft book/exercises)
As I Lay Dying, William Faulkner (fiction)
The Member of the Wedding, Carson McCullers (fiction)
The Optimist's Daughter, Eudora Welty (fiction) *
I Hate to See That Evening Sun Go Down, William Gay (short fiction)
The Art of Fiction, John Gardner (craft book)

* It's like Rod read my mind! I was so wanting to reading some Eudora Welty this term. I mean, I did go Flannery O'Connor mad last term, so it's only fair.

Tight Schedules and Tighter Shoes: MFA Winter Residency Part One

I realized this morning that I have been missing from blogland for nearly a month, and what a month it has been. I went to Maryland for a week to visit family and just missed their record-breaking Christmas blizzard. I celebrated Christmas with Steve in a very quiet, laid-back way, and that was followed by a less than stellar new year as we lost our precious cat, Hobson to cancer and congestive heart failure. So while champagne was already off the menu for the New Year celebrations this year, it wasn't exactly with sparkling grape juice and noisemakers that we welcomed in 2010.

On a happier note, January 2nd meant the return to school as the Winter Residency began. Since Saturday (Jan 2), I haven't stopped. My life has been a whirlwind of lectures, readings, workshops, and traipsing across campus in the coldest weather Spartanburg has seen in a decade. A fine time to have ridiculously cold weather - when I'm too big to button my coat! The good news is that the program director has worked in a nice little break into the middle of all this craziness, so today I can (quite literally) put my feet up for a few hours, do some writing assignments, and just enjoy my home furnace and humidifier. I even have a nice, warm cat (Abby Tabby) cuddled beside me to keep me warm. Of course, I'll be back at school tonight for a showing of the film adaptation of Dan Wakefield's New York in the Fifties, but I'll be refreshed and ready to go by then. Besides, I'm really looking forward to the film, and Steve has promised to go with me.

Being pregnant during the residency has certainly made it more challenging, but I don't mean to imply that it's been 5 days of torture. The lectures have been great, and the faculty and fellow students are amazing. There have been plenty of highlights (or hi-lites, as I saw on a beauty shop sign near my house yesterday) to celebrate.

• RT Smith, editor of Shenandoah (and my mentor this semester!) gave a reading of his new fiction on Saturday night, including a Southern re-telling of Rumplestiltskin.


• Sarah Kennedy's lecture on the prosy poem. I will now think of her at every poetry reading I attend, wondering if the next poem will "outstrip" me or simply take me along for the ride. Here's hoping for the former rather than the latter.


• Leslie Pietrzyk's (my fantastic former mentor) lecture on finding the story in your novel or short story. I love the practical way in which Leslie approaches writing. She always has such amazing tips and tricks to suggest, and it's so comforting to know that a writer of her caliber has to work hard and use tips and tricks, too.


• Having a 3 hour gab session with my favorite fellow student at Jason's Deli. I think we solved the problems of the world and completely dissembled each other's workshop pieces. Good times!


• Peter Meinke's reading of his poem about the undercover poetry reader.


• Tim McKee's (editor of Sun Magazine) lecture on "Surfacing Pearls" where he actually gave us lists of what he looks for as an editor and what not to do in your stories. Way to be the first editor/speaker we've had that was willing to be that specific!


• C. Michael Curtis' reading of some of the crazy cover letters he's received as editor of the Atlantic Monthly.


• Looking at really, really old issues of Concept while taking a workshop break in the Coker Room.

Today, I enjoyed a bit of a lie-in and a little blogging time, and this afternoon I have lots of writing to do after my weekly doctor's appointment. Here's hoping I'm able to write my re-imagining of "Hills Like White Elephants" and my point-of-view switch exercises before heading to the movie. Tomorrow it's back to the insanity, and Friday I get workshopped. I better start psyching myself up now.

A Room of One's Own

The final deadline for the final packet of semester is quickly approaching (I need to get it mailed by Wednesday...in 2 days.) I'm slowly plugging away at the work - slowly being the operative word. The new room/desk is helping. I may have waited 7 years to have my own desk again, but it was worth the wait (nevermind that I had to get pregnant in order to get it.) What's not helping? The large, purring cat dancing around in my lap, the doctor's appointments, the dinner that needs to be fixed, and that ongoing struggle to keep what's left of my brain from leaking out my ear. I think I know what I want to do with my story now (which helps), and I've gotten some more reading done while waiting at the doctor's office (so that's something.) Looks like a couple of days' cramming is now in order.

I am reading Best American Short Stories 2009 for part of my packet. I have to write 2 to 4 pages about current trends in short stories. So far I'm struggling to find a common thread/element between the stories I've read, but I still have one and a half more to go. That's not to say that the stories aren't wonderful. It was such a smart move on my part to take a break from Charles Baxter to read a few of the stories from this book. I was starting to get bogged down in writing theory. I have found, however, that when one is not running on all eight cylinders (is that how that saying goes? Not a car person...it is a car metaphor, right?), it can be paralyzing to your writing to read a lot of theory and rules. I'm not saying that Baxter isn't brilliant or that I don't love the book, just that my confidence is barely hanging on by a thread. I need to steer clear of sharp object, writers, and observations to avoid it being severed.

Hobson (my cat) must have sensed my need to buckle down and get things done. She came upstairs for moral support. Despite her brief attempts at distraction, she has now curled up happily on my lap and is purring loudly. Nothing quite so soothing (and potentially literary) as that!

Under Construction

I've been absent from blogland for a little while. Between the chest cold that wouldn't die, my inability to keep a clear thought in my head, and my newly shortened attention span (is there such a thing as pregnancy ADD?), I haven't been doing much writing lately. Perhaps you would assume that I've been immersed in all things baby, and I guess that's partly true. Mostly, however, I've just been in this haze of stupidity that has left me useless for much beyond staring at a TV screen, surfing the internet, and the inescapable housework. I feel like I'm turning into one of my cats, just sitting around, blinking and taking up oxygen. (No offense, Hobson and Abby.)

Alas, I must end my personal inertia and get busy if I'm going to meet my final deadline for the semester. So I think I've got a start on a story (knock on wood.) And I'm trying desperately to plow through Charles Baxter's Burning Down the House, a book which I can tell that normally I would really enjoy, but now with my brain working at half-capacity, I'm struggling with just a bit. If any of you out there have ever been the victim of my vicious trivia game playing, now would be the time for revenge. I'm liable to forget just about anything these days, and I'm certain that you could mop the floor with me (metaphorically speaking.)

On the exciting news side of things (okay, exciting for me, anyway), the workers are diligently toiling away upstairs on the bonus room. Soon all of the office stuff will be stowed away upstairs, and I can get to work on the baby's room. I'm not sure whether I'm more excited about "doing the baby's room" or just excited about having it done and off the list. Right now, everything is in turmoil and chaos with boxes and furniture stashed haphazardly in the office and guest room. I don't function well in chaos (it probably isn't helping my writing any knowing that mess is in there behind closed doors.) So, yes, I'm looking forward to a cute little girl's room all ready to go, but mostly I think I'm just looking forward to an orderly house...at least until February.

Critical Condition

For the past four years, I have been the thick-skinned, tough who could take anything in workshop. You don't like my story? No problem. Hate the language or structure of my poem? Water off a duck's back. I could take the helpful advice and shrug off the dross. I was made of steel (for the most part, anyway.) I even held my own in the blood bath that was my first MFA residency workshop. I survived being told by a professor that there's no such thing as a successful child narrator. (Poor Laura and her pastoral musings.)

So what happened to that person? When did I change into this puddle of needy goo? I've already written about my struggle with the voices in my head (critics, not crazy voices) that were slowing down my writing. Unfortunately, the craziness doesn't stop there. After receiving the critiques of my first two packets from my professor, I completely melted down. Both times.

So what changed? I've decided it's a medical condition. To quote one of my favorite tv shows, I'm in the Jon Voight way (think Alien,) and it's starting to affect my brain. I've heard of women complaining of pregnancy brain, forgetting everything from their keys to the names of their children. I haven't forgotten anything (yet, don't worry, I'm not being smug), but I have morphed into an overly-sensitive, emotional wreck. To those considering an MFA program, may I suggest that pregnancy hormones and professor critiques are a lethal combination.

After packet #2 came back, I ended up on the phone with the long-suffering Steve crying because there was nothing in the house that I wanted to eat and Leslie hated my story. Sure this was an overstatement. Yes, I knew it was crazy and irrational while I saying it. Didn't matter. It took me a good two days to recover from that little episode. Then I had to psyche myself up for packet #3.

Fast forward to today. I got my email from my professor regarding my third packet, which contained a rewrite of the story from packet #2. I did better this time. I was actually able to focus mostly on the good stuff she said in the opening paragraph of her critique, rather than the two pages of suggestions. Maybe I'm growing. No wait, that's just my waistline.

Hello Goodbye

I am wondering where September is going. Things are going crazy fast, and this is a short month. I feel like I just turned in MFA packet #2, and I'm already worrying about the next one due September 25th! The scariest thing about time flying is that the faster it goes, the more pregnant I get. I'll be 16 weeks on Friday! That's freaking me out just a bit. At this rate, February will be here in the blink of an eye (pardon my cliche.) Lots of schoolwork to do between now and then, so it's a little scary.

On the upside, I finally finished all my Flannery O'Connor reading today (FINALLY!) Don't get me wrong...I love her. I was just in O'Connor overload. Now, I'm finally getting to the part of my reading list that I've been waiting to read. First on the agenda? Amy Tan's Joy Luck Club. I love Amy Tan, so I'm very excited about this book. I started today after I finished with O'Connor, and I've already soared through a big chunk of the book. After that it's Tim O'Brien's The Things They Carried and Jhumpa Lahiri's Unaccustomed Earth (thanks to Leslie for letting me put that one on my reading list.) I'm so excited about all three, so knocking them out before the October deadline should be a breeze.

On a completely unrelated note, today (technically yesterday according to the clock) marks the release of all things Beatles. Beatles Rock Band is being released, and in conjunction with that, they are also releasing remastered versions of all their albums. Being Rock Band junkies, we already had our copy of Beatles Rock Band on reserve, and Steve picked it up on his way home from work. He then proceeded to play like a man possessed. He didn't even stop for dinner. Now that's devotion. The game was great, though. The songs are divided up into the years in which they were released, and the venues coincide with the years. For example, the early songs are performed in The Cavern, and the two American venues are Shea Stadium and the Ed Sullivan Show. We played drums, we sang, and we strummed on our fake plastic guitars. John Lennon is probably rolling over in his grave after my performance of "Twist and Shout," but hey, it was fun.

As with all our previous Rock Band fests, the cats remained unmoved as the music blared through the living room, rattling both furniture and bones. It doesn't faze them anymore. I'd like to think they were just chilling out to the mellow notes of "Lucy in the Sky with Diamonds," but I think it's more likely that they've just grown numb. Good thing. We've got a Beatles party coming up, and they need to be ready.

Breakthroughs, Battlestars, and Bogus Bad Words

Packet #2 is in, and I can breathe a sigh of relief, well, at least for a few days. The next deadline is September 25, so I'm not exactly basking in free time. I've got a book to finish, 2 papers to write, and a short story to create between now and then. Oh great, now I'm going to start the panicking all over again.

The good news about Packet #2 is that through my work on it, I had a bit of a breakthrough. I've been struggling ever since the residency with a bit of writing paralysis. I won't call it writer's block because that isn't what it is. I've got ideas and stories I want to write, but I've had so many other voices rolling around in my head (professors and such) that I couldn't hear my own voice. I was trying so hard to manufacture something that I thought everybody wanted that I had completely obliterated any hint of my own writing. After months of struggling, really bad writing, and prayer, I finally was able to turn off those other voices. The point of this MFA is to fine tune my voice, not to create some lifeless, hybrid voice that isn't me. The writing came quickly and easily after that. The jury's still out on whether my professor/mentor will like what I created. Either way, though, what I created was mine. We'll see how long the epiphany lasts.

Since I turned in my packet, I've taken a bit of a holiday from all the hard work (I actually missed a Friday house cleaning during the last minute rewrite.) What have I been doing with my brief stint of free time? Just indulging my inner nerd with complete immersion into the world of Battlestar Galactica. A friend of Steve's has been loaning us all the seasons on the Blu-Ray, and we have become seriously addicted. We've been averaging about a season a week!

If you've never seen BSG, it's a reimagination of the original 1978 television show. I mean total reimagination. (Starbuck is a girl.) The funniest part of the show (not that it's meant to be funny) is their made up swear word. Apparently the word has its origins in the original show, though the new version has certainly taken it to new levels. What is the word you ask? Frak. Yes, that's right. Frak. You can imagine all the parts of speech in which it is used. The characters use it fluently and without a hint of amusement. Steve and I are halfway through Season 2, and it hasn't stopped being funny yet...every time they use it. I don't think it will ever stop being funny. I think it may be even funnier than the bleep (a personal favorite.) The best part? You can actually find an entry for "frak" on Wikipedia! I love the internet.

Dead Cows, Dead Nazis, and a (hopefully) Not-Dead Story

I'm feeling slightly less panicked today than I have been over the past few weeks. I have cranked out a VERY rough draft of my next story, and I don't completely hate everything about it. That's progress, right? It actually ended up taking a very different direction than what I had planned (which isn't saying much since I had very little planned.) But just going where the writing takes you usually leads to good things (or so I'm told.) I ended up doing something a little different and splitting up the narrative between a first person narrator and a limited third person. I'm not sure it works yet, but I like the idea anyway, so I guess that's something.

Because I'm working on what has come to be known as a "Laura" story, I had to call one of my technical advisors (my mom) today to get some advice on a somewhat grisly detail of my story. (Just exactly how long could a dying cow remain lying down before the end comes?) Who would have thought I'd ever be asking that question. Unfortunately, my TA couldn't give me a definitive answer and will have to refer to another of my TA staff, my grandmother. I guess if you're going to write about farming, it's handy to have some farming types on staff. Makes me sad that the real expert is no longer around to answer questions. There would be no inaccuracies in my farming stories if Granddaddy were my technical advisor.

Before I start sounding too celebratory about my writing progress, I should remember that I still have several hundred pages of Flannery O'Connor to wade through before my third deadline. I must say that while I love O'Connor, this complete and extended immersion into her writing has tempered my affection a little. I'm afraid there may indeed exist too much of a good thing. All my other books (that I really want to read) on my reading list are tantalizing me and making it harder to plow through yet another story of Southerners fallen on hard times. Was anybody sane or even nice in Georgia in the forties and fifties? Apparently not where Miss O'Connor hung out.

As a reward for all my hard work (we'd be doing it regardless), Steve and I are going to see Inglourious Basterds on Friday. I can hardly wait. We haven't been to the theater since Public Enemies (yawn), and I could use a little cinematic therapy. Actually, it's more like Quentin Tarantino redeeming me from the cinematic sins of Michael Mann. Please, Mr. Tarantino, send me a little senseless violence with a simple plot and lots of dead NAZIs. Warning: If anyone cries, falls in love, or looks passionately into somebody else's eyes, I'm out.

My other reward for eeking out another story (rough though it may be)? I get to write a blog entry. Why is it that writing a blog entry is never intimidating? Nor does it hang over my head like some dreaded chore. Sometimes story first drafts do that. You'd think I didn't love writing the way I have to force myself to sit down and work on first drafts. Oh, well. Here's hoping another good movie will come out soon so I can "reward" myself after the next story. And the one after that. And the one after that.